Recently in Career Category

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I write a blog. That's part of what I do for a living. And yes, thousands of eyes see my grammatical errors every day. Which would be a tragedy, yes, if it wasn't a blog, where people expect these sorts of things as the trade off for rapid, push button communication.

It's exactly the opposite with resumes, however. And maybe it's just that I've been part of the creative & marketing worlds for too long, but it seems to me that these folks have little patience for any error they see on a resume.

Years ago, I was sending Production Artist resumes to a hiring manager who would throw them back at me if the word "QuarkXPress" was misspelled (that would include "QuarkxPress", "Quarkxpress" and "Quarkexpress." She felt that if the person didn't know how to spell the program, they actually couldn't use it. And when I'd try to argue otherwise, say that this particular Production Artist had, in fact, amazing hands-on skills, it wouldn't help his/her case. And, of course, there were no "do overs." Once that hiring manager had seen that mistake, she was done looking at that person as a prospective employee.

Unlike many other things in this life, with your resume, you get one shot at a particular company or department to move ahead or go straight to the "thanks-but-no-thanks" pile.

Yes, I believe that when you've pored over every last inch of your own resume that you deserve a break if you let a errant font slip through, but you'll get no such break from the hiring manager or HR person who is reading it. They want nothing less than perfection. Heck, when you show up to the actual interview you can be less than perfect, but your resume only has a few short seconds (yes, seconds! 10? 15? probably not much more) before it's make or break.

Our advice has always been, take your resume very seriously. Even if it's a "fun" resume, full of wackiness, the hiring manager isn't going to want to see an errant font slip in.

And while we're talking about it, you should check out this AIGA article from Creative Director and Senior Faculty Member over at Art Center, Petrula Vrontikis, "Ten common mistakes in résumés and cover letters." Some of this info is excellent for recent grads who really don't have a heck of a lot of experience to put on their resumes. And, of course, anyone else with a resume sitting somewhere on their hard drive.


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It's here! Our annual Salary Survey we do with AIGA is up as of today.

And just so you don't think the whole thing, in light of the current economy, is all doom and gloom, the survey "found designers were indeed affected by the weakened economy--especially those who had been working for corporations or advertising agencies, many of which reduced staff and outsourced design work to freelancers during the economic downturn. However, the good news is that nearly a third of respondents to AIGA's Confidence Survey of Design Leaders believe they will be more likely to hire new designers in this quarter than last."

There's also some encouraging words from AIGA Executive Director Richard Grefé: "Individual designers can increase their value through consistent training and professional development that allows them to move up in the range of responsibilities they assume. This is not unique to design--continuous learning is critical for all professionals in a rapidly evolving business environment. But by applying design thinking skills in solving clients' more complex strategic problems, designers create even greater value for clients--warranting greater compensation."

The interface and layout for the survey are all really nice - so when you have the time, grab a cup of coffee, tea, or Monster-type beverage, and have a look see!

11 Steps to Better Networking for the Graphic Designer

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Just a quick one, from our last newsletter:

There's always room for improvement, and when it comes to networking, it takes more than handing out your business cards or signing up on a social networking site.

Forgraphicdesignersonly.com shares 11 great tips that Graphic Designers can use to become better networkers.

(Photo by Josh Oakes)
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As the father of two elementary school-aged kids, it's my duty every morning to get them dressed, fed, brushed, laced and tied, and out the door in time for both to make it to school and me to work before 8am. (My wife is out the door at 6am every day.)

And the fact is, the crazier work gets, the crazier it gets to run a family.

And vice versa.

I just came across an interesting blog that the The Wall Street Journal is running called The Juggle.

Though it's mostly women focused (from what I've read), it's a fairly compelling read. The WSJ touts that it deals with "the choices and tradeoffs people make as they juggle work and family" and "provides readers with news, insight and tips on parenting, workplace issues, commuting, caregiving and other issues busy readers with families face."

They're pretty on target - current posts include Investing in Yourself Instead of Your Child and, sigh, Taking Vacations To Help with Caregiving.

A great thing about the blog posts is that they're often linked to columns in the newspaper written by the blogger/journalist. And these blog posts aren't the "stay awhile while I'm on my soapbox" kind - they're well researched mini articles which ask the readers to chime in on the subjects.

For any of you familiar with reading the Journal  (which includes me, who worked in Tax Department for a year and half), it's one of the last great papers. They don't hire just any freelance journalist off the street to put out columns for them. Nor do they dumb down topics because they believe the reader is asleep if the first sentence doesn't refer to a reality TV show.

Anyway, it's worth 10 minutes of your time to check out.

And give me your take on it!


(Photo by MGShelton)



Design Do Gooder

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So you're a Designer working for a corporation that makes other Designers drool when you mention their name. Or are a successful freelance Designer with a handful of good, well-paying clients.

But you keep saying to yourself, "Is this all there is?"

That thought was exactly what was simmering in Interactive Designer and Design Instructor Jon Kolko's brain when he saw former students who had great careers, but craved more meaning in their work.

So Kolko is opening Austin Center for Design, which "will focus solely on solving social problems while making a career path in humanitarian design financially viable", according to Design Observer.

The school is loosely based on Denmark's KAOSPilot program (an interesting site to look at in an of itself).

The Center's site touts that students will be focused on problems related to:

* Homelessness and transient housing solutions
* Healthcare access, affordability, and comprehension
* Nutrition, personal wellness, and consumption
* Education and job placement
* Poverty, as a general state of being
* Sustainability and environmental impact 

The one-year program is based out of Austin, TX and is, according to the site, "ideal for designers, artists and technologists with 2-5 years experience doing professional work, or for more seasoned professionals looking to change the trajectory of their careers."

If you're interested - they're accepting application for 2010-2011 academic year.

And if you go, let me know if they're picky about what you bring to eat in the lunchroom. Because I was wondering.

Linchpins

Lynch-pin.jpgThe standard definition of a linchpin, according to The Free Dictionary, is "a pin placed transversely through an axle to keep a wheel in position".  Without the linchpin, a wheel could shake off the axle, spinning into oncoming traffic, undermining the stability of the entire vehicle.  Just think of it: one small piece of seemingly insignificant metal is actually more important than it seems.

That's one idea which stuck with me after attending a lecture last night from best-selling author Seth Godin.  For companies, every person is essential to running of the business -- from the clerks in the mailroom to the person answering the front desk phone to the Vice Presidents and the CEO.  Without the mailroom clerk, incoming communications, letters and junk mail might never reach their intended destinations.  Without the front desk person, calls might not be transferred to the correct people or a potential customer may drive himself mad trying to mine his way through the automated directory.  And so on.

But simply being a mail clerk or a Vice President isn't enough.  Anyone can do those things -- another point brought up by Mr. Godin.  Since the advent of Henry Ford's assembly line, workers have become interchangeable.  To paraphrase an example from last night, the cashier at the local grocery store who scans the items, reads aloud the total, takes the money, makes change, up and quits.  For the store, it's not a big deal.  Finding a replacement shouldn't prove too difficult because most people learned those basic tasks and not much effort is required to do them.  Chances are, not too many customers would even notice the change in cashiers.

Now, take that same cashier.  As you approach the checkout, he or she greets you by name, tells you that one of the items in your cart is on sale that day, counts the change rather than simply handing it to you, wishes you a good day as you leave the check out.  None of those things are written in the company manual; the cashier decided to do something different, something outside the normal routine.  The result might be a happy customer who will return again, or who will recommend the store to friends.  Which in turn makes the store more profitable.  By doing something different, that cashier has added value to his or her position, making her indispensable to the company.

Another example Mr. Godin used was the release of Steely Dan's "Pretzel Logic" album in 1974.  Releasing a mix of pop vocals and extended instrumentals (Wikipedia), the music was unlike any other sound on the radio at that time, and the album became a critical success and a classic for music lovers.  If they hadn't released that album, if they'd succumbed to self-doubt and fears, if they'd stuck to the music mold of the time, would they have been just another pop band of the 1970s that faded into history?

That's what workers should do.  Rather than sticking to the same old routine, why not look for a new way to finish a task that might use less time or expenses?  Why not take a risk and put a different idea out into the marketing or design ether?

To become indispensable is to take those risks, to ask questions, to go that little extra step even though it's not necessary.  Even though it goes against all the information that's out there.  Be creative.  Be innovative.

Image from Wikimedia Commons.

Free Flash Training!

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Our friends over at the Rich Media Institute are in feeling in a generous mood these days and are offering two free online Flash courses this months to any and all takers.

Through Feb. 15th, R. Blank's Comprehensive ActionScript 3 will be available. (And yes, they mean comprehensive. The course is 9+ hours.)

For those who like the Lite side of things, through Feb. 28th,
Introduction to ActionScript Development with FDT is being offered gratis. (It's 37 minutes. Which means you could eat dinner and watch it.)

And yes, since it's online, even though the Rich Media Institute is based in LA's Venice section, you can attend from anywhere!

Except, possibly, from North Korea.

Or China.


Photo by John Kratz

New Year! New Career! Things to think about...

Thumbnail image for woman and man.jpgWell here we are in the second half of January (already!). How are you going with your New Year's resolutions? January is usually a busy time in the recruitment industry as often, when people are thinking about the year ahead, they resolve to get a new job.

If changing roles is high on your 2010 priority list, you have some serious thinking to do. Self‐analysis is a critical factor in career planning and one thing you should do before you make any move is to assess is your motivation. Why do you want to do something different?

Think about the 'push and pull' factors as they relate to your situation. Push factors are those things that are pushing you away from your current role and may include:
- My boss drives me crazy
- The hours I'm working don't give me enough free time
- I'm feeling undervalued and/or underpaid
- The two hour daily commute is wearing me down
- There's absolutely no chance of promotion
- There is no challenge left

Pull factors are those that pull you towards a new role. Things like:
- The company has an amazing reputation as an employer
- I'll be working with an inspiring industry leader/mentor
- The company's client list is outstanding
- Great benefits are offered - eg, fully funded study, extra leave, paid maternity leave, etc
- There are realistic career progression opportunities
- I'll work at a location closer to home

Often, when people are motivated solely by push factors, they make decisions they later regret. The grass is not always greener on the other side and many people wish they had looked at resolving issues with their former employer rather than moving onto something else.

So, think carefully about where you are heading and what you want to do. If it's time to move on, the motivation is positive and the opportunity is right, then go for it. Good luck and have fun!



Banking the Karma

gaby2153.jpgOver here at Aquent we value the amazing Talent we represent and we also recognize that they in fact are the true experts in their fields (SME, if you must) and are far more connected than we can ever hope to be.

So during the past few months we've been developing a referral system that "pays it forward" and hopefully gets everyone more jobs and some extra money to boot!

A couple weeks ago we started offering cash to Aquent Talent based on a point system. We have two different avenues for folks, one is to refer other awesome Talent to us and the other is to refer potential job openings to us. (This last one pays big and fast!)
 
I was excited about this new referral program (we call it Aquent Rewards) and started shouting about it from the rooftops. But I started to notice a trend: People often responded to enthusiastic pitch with a,  "Yeah, that's nice and all, but I really just want a job of my own. I'm not really in the mood to send you names or job openings."

Fair enough. And I do get it. As a company, we want to find an exciting job for every one of our Talent as well!

All this got me thinking about how the referral program impacts people in a way other than the cash that they get. Then I started thinking about karma.

Wikipedia tells me that Karma means a "deed" or "act", or more broadly, names the universal principle of cause and effect, action and reaction that governs all life. If Karma can make things right and good for people like Earl J. Hickey, why can't it work for other folks?

Let me lay it out for you:
 
How exactly would this good job karma thing work?

Case study #1 (talent referral)
You have a friend/acquaintance that is an incredible Online Marketer
You login to your My Aquent  account and submit your friend/aquaintence to us
We call* your referral
 If we place that person, you start accruing good job karma points (and Aquent referral points = $)
 
Case study #2 (business referral)
You are sitting at work, working.
You overhear that the online marketing team (or interactive, marketing, graphic design,) needs someone and they are thinking of hiring.
You login to you're My Aquent  account and submit any information you know about the job and hiring manager's name.
We call* that hiring manager and help them fill that job.
If we fill that job you rack up FAT good job karma points (and Aquent business referral points =$$$)
 
Karma Bonus:
If you send us a business referral and the talent referral that can fill that job, you go straight to nirvana and collect a large sum of Aquent referral bonus points = $$$$$$$$$
 


So let's go back to the initial problem; "Yeah, but I just want a job of my own"

By you building your good job karma and others building up their good job karma, there's a good chance that you will get to work at that job of your dreams - the job someone else recommended.

And heck, the fact that you get points (and cash) for recommending people doesn't hurt, does it?


Do you need a personal brand? Um, yeah.

Tomorrow I am participating in a panel discussion with two of our very smart and accomplished Practice Directors, Tracy Sinclair, and Eric Waldinger. Our topic? Why and how you should manage your career with a personal brand. (Consider this a well-intended, semi-shameless plug.)

Your personal brand, unless you're a creative, isn't really about your identify or logo mark. It includes literally everything you do and say, how people perceive you, and what's out in the intrawebblogstweetlinkedsphere that has your name* on it. If you ARE a creative, than the look and feel and tone of your resume, etc matters a little more, sure, but all the other stuff still matters too.

(*to learn why your name can have blg implications, you should really attend the webcast. I'm tempted to give a spoiler here, but I'll save it)

If you're skeptical about this, consider how quickly you come to like, dislike or detest people on reality television and how we do this based on just a few quick scenes. Remember "The Apprentice"? I started to not like the infamous Omarosa within minutes of the first episode (apologies to members of the Omarosa Fan Club).

So, Tracy, Eric, and I will share some ideas on what you need to do to start figuring out what your brand is, and how to explain that to brand to people who can help you find your next gig, and what your brand looks like online.This is important to do if you're currently job seeking, and probably a good idea if you're happy where you are. After all, any good brand expert will tell you brand management is ongoing and constant.

And the time to start managing your personal brand? Now. Ask Omarosa what that season of the Apprentice was like. She'll agree.


Authors

Events

Aquent sponsors FITC (Flash In The Can)!

17 August 2010

Aquent is sponsoring this well respected, Flash-focused group (FITC) in multiple cities, which draws over 1,000 of the top Flash professionals from around the globe. We're also sponsoring the Video...

Aquent sponsors FITC (Flash In The Can) - SAN FRANCISCO

17 August 2010

Aquent is sponsoring this well respected, Flash-focused group (FITC) in multiple cities, which draws over 1,000 of the top Flash professionals from around the globe. We're also sponsoring the Video...

Search Engine Strategies (SES) 2010

16 August 2010

Search Engine Strategies (SES) is the leading global conference & expo series that educates delegates on search engine marketing (SEM), including optimization (SEO) and advertising strategies, ...

Web Analytics Association: Pimp Your Reports Workshop Series

10 August 2010

Learn how to use dashboards and analytics reporting to drive your company's competitive position and enhance its performance. By getting it right, you can save time and resources and begin to reap ...

eTail East 2010

9 August 2010

The Premier Internet Retail Conference for Senior Marketing & e-Commerce Executives since 1999

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